Full Catalogue
Year |
Vols. |
Editor |
Work Title |
City |
1753 |
|
Marpurg, Friedrich Wilhelm (1718–1795) |
Abhandlung von der Fuge nach dem Grundsätzen der besten deutschen und ausländischen Meister |
Berlin |
1757–1781 |
3 Vols. |
Martini, Giovanni Battista (1706–1784) |
Storia della musica |
Bologna |
1760–1773 |
3 Vols. |
Boyce, William (1711–1779) |
Cathedral Music, being a Collection in Score of the Most Valuable and Useful Compositions for That Service, by Several English Masters of the Last Two Hundred Years |
London |
1765–1772 |
2 Vols. |
Paolucci, Giseppe (1726–1776) |
Arte pratica di contrappunto |
Venice |
1771 |
|
Burney, Charles (1726–1814) |
La Musica che si canta annualmente nelle funzioni della Settimana Santa, nella Cappela Pontifica, composta dal Palestrina, Allegri, e Bai |
London |
1771 |
|
Randall, William (ca.1728–1776) |
[Thomas Morley:] A Plain and Easy Introduction to Practical Music |
London |
1774–1776 |
2 Vols. |
Martini, Giovanni Battista (1706–1784) |
Esemplare, o sia Saggio fondamentale pratico di contrappunto |
Bologna |
ca.1775 |
|
Warren, Thomas (ca.1730–1794) |
A Collection of Vocal Harmony, Consisting of Catches, Canons and Glees, Never Before Published, to which are added several Motetts and Madrigals, Composed by the Best Masters |
London |
1776 |
5 Vols. |
Hawkins, John (1719–1789) |
A General History of the Science and Practice of Music |
London |
1776–1789 |
4 Vols. |
Burney, Charles (1726–1814) |
A General History of Music from the Earliest Ages to the Present Period |
London |
1779 |
|
Smith, John Stafford (1750–1836) |
Collection of English Songs, in Score for Three and Four Voices Composed about the Year 1500 Taken from MMS. of the Same Age |
London |
1780 |
4 Vols. |
La Borde, Jean–Benjamin de (1734–1794) |
Essai sur la musique ancienne et moderne |
Paris |
1782–1791 |
2 Vols. |
Reichardt, Johann Friedrich (1752–1814) |
Musikalisches Kunstmagazin von Johann Friedrich Reichardt |
Berlin |
1788–1801 |
2 Vols. |
Forkel, Johann Nicolaus (1749–1818) |
Allgemeine Geschichte der Musik |
Leipzig |
1790 |
3 Vols. [+ organ part] |
Arnold, Samuel (1740–1802) |
[Supplement to the Boyce's editon:] Cathedral Music; being a Collection of Score, of the most valuable & useful Compositions for that Service by the Several English Masters of the last Two Hundred Years / Cathedral Music: Organ Part (...) |
London |
ca.1795 |
|
Giussani, Giovanni Battista (?-?)
|
Il Salmo Miserere mei Deus, espresso in musica (...) si canta in Roma nella Settimana Santa in Cappella Sistina |
Milan |
ca.1798–1802 |
3 Vols. |
Stevens, Richard John Samuel (1757–1837) |
Sacred Music for One, Two, Three & Four Voices, from the works of the most esteemed composers, Italian & English |
London |
1800 |
3 Vols. |
Page, John (ca.1760–1812) |
Harmonia sacra: a Collection of Anthems in Score, Selected for Cathedral and Parochial Churches from the Most Eminent Masters of the Sixteenth, Seventeenth and Eighteenth Centuries |
London |
1802 |
2 Vols. |
Kalkbrenner, Christian (1755–1806) |
Histoire de la Musique (...) Avec IX planches. |
Paris |
1806–1825 |
6 Vols. |
Latrobe, Christian Ignatius (1758–1836) |
Selection of Sacred Music from the Works of Some of the Most Eminent Composers of Germany and Italy |
London |
1807–1809 |
3 Vols. |
Crotch, William (1775–1847) |
Specimens of Various Styles of Music Referred to in a Course of Lectures at Oxford & London and Adapted to Keyed Instruments |
London |
1812 |
2 Vols. |
Smith, John Stafford (1750–1836) |
Musica Antiqua. A Selection of Music of this and other Countries, from the Commencement of the Twelfth to the beginning of the Eighteenth Century |
London |
1815 |
|
Gwilt, Joseph (1784–1863) |
A Collection of Madrigals and Motetts, chiefly for four equal voices, by the most eminent composers of the sixteenth and seventeenth centuries ; the greater part of which have not been hitherto published in score. |
London |
1819 |
2 Vols. |
Busby, Thomas (1754–1838) |
A General History of Music, from the Earliest Times to the Present; Comprising the Lives of Eminent Composers and Musical Writers |
London |
1820 |
|
Choron, Alexandre–Étienne (1771–1834) |
Collection des pièces de musique religieuse qui s'exécutent tous les ans à Rome durant la semaine sainte dans la Chapelle du Souverain Pantife |
Paris |
1824 |
|
Fischer, Gottfried E. [Ernst?] (1754?–1831?) |
Zwei Motetten aus dem Anfange des XVI. Jahrhunderts |
Berlin |
1824 |
2 Vols. |
Fétis, François–Joseph (1784–1871) |
Traité du contrepoint et de la fugue, contenant l'exposé analytique des règles de la composition musicale depuis deux jusqu'à huit parties réelles. |
Paris |
1825–1827 |
5 Vols. |
Novello, Vicent (1781–1861) |
The Fitzwilliam Music: being a Collection of Sacred Pieces, selected from Manuscripts of Italian Composers in the Fitzwilliam Museum |
London |
1827 |
2 Vols. |
Baron, Gottlieb von Tucher (1798–1877) |
Kirchengesänge der berühmtesten älteren italiensischen Meister |
Vienna |
1829 |
|
Fétis, François–Joseph (1784–1871) |
Verhandelingen over de vraag: welke verdiensten hebben zich de Nederlanders vooral in de 14e, 15e en 16e eeuw in het vak der toonkunst verworven |
Amsterdam |
ca.1830 |
|
Choron, Alexandre–Étienne (1771–1834) |
Collection générale des ouvrages classiques de musique, ou Choix de chefs d'oeuvres, en tout genre, des plus grands compositeurs de toutes les Ecoles / Raccolta generale delle opere classiche musicali |
Paris |
1832–1842 |
2 Vols. |
André, Johann Anton (1775–1842) |
Lehrbuch der Tonsetzkunst |
Offenbach am Main |
1834 |
3 Vols. |
Winterfeld, Carl Georg Vivigens von (1784–1852) |
Johannes Gabrieli und sein Zeitalter |
Berlin |
1834 |
|
Kiesewetter, Raphael Georg (1773–1850) |
Geschichte der europäisch–abendländischen oder unserer heutigen Musik. Darstellung ihres Ursprungs, ihres Wachsthums und ihrer stufenweise Entwicklung ; Von dem ersten Jahrhundert des Christenthums bis auf unsere heutige Zeit |
Leipzig |
1834 |
|
Bochsa, Robert Nicolas–Charles (1789–1856) |
Panorama musical, a fantastic sketch, for the harp, intended to give an idea of the various styles of music from the year 1500, down to the present time |
London |
1834–1835 |
2 Vols. |
Parker, John William Parker (1792–1870) |
Sacred Minstrelsy: A Collection of Sacred Music by the great masters of all ages and nations; consisting of anthems, solos, duets, trios, &c., and choruses; with accompaniments for the Piano-Forte or Organ |
London |
1835–1841 |
16 Vols. 48 Fasc. |
Horsley, William (1774–1858) |
Auswahl vorzügliche Musik–werke in gebundener Schreibart von Meistern alter und neuver Zeit. |
Berlin |
1837 |
|
Fétis, François–Joseph (1784–1871) |
Traité du Chant en Choeur. Rédigé pour l'usage des Ddirecteurs d'Ecoles de Musique, des Chefs des Choeurs d'Eglise (...) |
Paris |
1837–1840 |
12 Fasc. |
Dehn, Siegfried Wilhelm (1799–1858) |
Sammlung älterer Musik aus dem 16ten und 17ten Jahrhundert [or Sammlung älterer Musik aus dem XVI. und XVII. Jahrhundert] |
Berlin |
1838 |
|
Dehn, Siegfried Wilhelm (1799–1858) |
Psalmos VII Poenitentiales modis musicis adaptavit Orlandus de Lassus |
Berlin |
1838 |
|
Dauney, William (1800–1843) |
Ancient Scotish Melodies: From a Manuscript of the Reign of King James VI: with an Introductory Enquiry Illustrative of the History of the Music of Scotland [also known as Skene's Manuscript] |
Edinburgh |
1838–1840 |
3 Vols. |
Rochlitz, [Johann] Friedrich (1769–1842) |
Sammlung vorzüglicher Gesang–Stücke vom Ursprung gesetzmässiger Harmonie bis auf die Neuzeit / Collection de morceaux de chant, tirés de maîtres qui ont le plus contribué aux proges de la musique et qui occupent un rang distingué dan l'histoire de cet art, choisis et arrangés cronologiquement |
Mainz / Antwerp / Brussels |
1838–1839 |
2 Vols. |
Cichocki, Joseph (?–?) |
Chants d'eglise à plusiers voix des anciens compositeurs polonais / Śpiewy kościelne na kilka głosów dawnych kompozytorów polski |
Warsaw |
1839–1840 |
2 Vols. |
Danjou, Félix (1812–1861) |
Archives curieuses de la musique |
Paris |
1839–1886 |
14/28 Vols. |
Commer, Franz Aloys Theodor (1813–1887) / Neithardt, Heinrich August (1793–1861) / Hoffmann, C[arl] A[ugust] J. (?–?) / Seyler, ? (?–?) |
Sammlung der besten Meisterwerke Des 17t. u. 18t. Jahrhunderts für die Orgel zum Gebrauch beim Gottesdienst (...) / Musica Sacra. Cantiones XVI, XVII, XVIII saeculorum praestantissimas quatuor pluribusque vocibus (...) Sammlung der besten Meisterwerke des 16t. 17t. un 18t. Jarhrhunderts (...) / Musica Sacra. Cantiones XVII, XVIII saeculorum praestantissimas altae voci accommodatas (...) Sammlung der besten Meisterwerke des 17t. un 18t. Jarhrhunderts für die Alt–Stimme / Sammlung religiöser Gesänge älterer und neuester Beit zum bestimmeten (...) |
Berlin |
1840 |
|
Alfieri, Pietro (1801–1863) |
Excerpta ex celebrioribus de musica viris Jo. Petro Aloisio Praenestino, Thoma Ludovico a Victoria Abulensi et Gregorio Allegrio Romano (...) |
Roma |
1840 |
|
Alfieri, Pietro (1801–1863) |
Raccolta di Mottetti a quattro voci di Gio. Pier Luigi da Palestrina di Ludovico da Vittoria di Avila e di Felice Anerio Romano compositori del secolo XVI |
Roma |
1840 |
|
Alfieri, Pietro (1801–1863) |
Il Salmo Miserere posto in musica da Gregorio Allegri e da Tommaso Bai, Publicato cogli Abbellimenti per la prima volta |
Lugano |
1840 |
|
Becker, Christian Friedrich (?–?) |
Die Hausmusik in Deutschland in dem 16., 17., und 18. Jahrhunderte. Materialien zu einer Geschichte derselben |
Leipzig |
1841 |
|
Kiesewetter, Raphael Georg (1773–1850) |
Schicksale und Beschaffenheit des weltlichen Gesanges vom frühen Mittelalter bis zur Erfindung des dramatischen Styles und den Anfängen der Oper |
Leipzig |
1841–1846 |
7 Vols. |
Alfieri, Pietro (1801–1863) |
Raccolta di Musica Sacra, in cui contengonsi i capi lavori de' più celebri compositori italiani, consistente in messe, sequenze, offertori, mottetti, salmi, inni, responsori |
Roma |
1841–1848 |
19 Vols. |
Chappell, William (1809–1888) / Rimbault, Edward Francis (1816–1876) / Turle, James (1802–1882) / Smart, George Thomas (1776–1867) / Horsley, William (1774–1858) / Hopkins, Edward J. (1818–1901) / Warren, Joseph (?–?) / Budd, George William (1806–1850) |
[Musical Antiquarian Society Publications] |
London |
1842 |
|
Rimbault, Edward Francis (1816–1876) |
Vocal part music, sacred and secular |
London |
1842–1845 |
2 Vols. |
Hullah, John Pyke (1812–1884) |
Part Music of Soprano, Alto, Tenor & Bass, edited by John Hullah. Sacred Pieces in Score. |
London |
1843 |
|
Coussemaker, Edmond de (1805–1876) |
Notice sur les collections musicales de la bibliothèque de Cambrai et des autres villes du département du Nord |
Paris |
1843–1845 |
11 Vols. |
Ney, Joseph Napoléon, Prince de la Moskova (1803–1857) |
Recueil des morceaux de musique ancienne, exécutés aux concerts de la Société de musique religieuse vocale et classique, fondée à Paris en 1843, et sous la direction de M. le Prince de Moskowa |
Paris |
1844 |
|
Janssen, N. A. (?–?) / Voght, P. F. de (?–?) / Duval, E. (?–?) |
Bibliothek für Kirchenmusik. Mehrstimmige Gesänge mit Orgelbegleitung |
Mainz |
1844 |
|
Fétis, François–Joseph (1784–1871) |
Traité complet de la théorie et de la pratique de l’harmonie |
Paris / Brussels |
1844 |
|
Novello, Vincent (1781–1861) |
The service for the burial of the dead, as composed by Thomas Morley, batchelor in music. The organ part by Vincent Novello |
London |
1844–1858 |
12 Vols. |
Commer, Franz Aloys Theodor (1813–1887) |
Collectio operum musicorum Batavorum saeculi XVI |
Berlin / Mainz |
ca.1845 |
|
Becker, Christian Friedrich (?–?) |
Mehrstimmige Gesänge berühmter Componisten des sechzehnten Jahrhunderts. Für Singvereine und zum Studium für angehende Tonkünstler |
Dresden |
1845 |
|
Rimbault, Edward Francis (1816–1876) |
The full Cathedral Service, as used on the Festivals and Saints' days of the Church of England, composed by Thomas Tallis |
London |
1845 |
|
Hullah, John Pyke (1812–1884) |
Part Music, edited by John Hullah. Sacred Pieces. Music in Score for the Voices of Women and Children. Class B. |
London |
1845 |
|
Hullah, John Pyke (1812–1884) |
Part Music, edited by John Hullah. Secular Pieces. Music in Score for the Voices of Women and Children. Class B. |
London |
1845 |
|
Hullah, John Pyke (1812–1884) |
Part Music, edited by John Hullah. Sacred Pieces. Music in Score for the Voices of Men. Class C. |
London |
1845 |
|
Hullah, John Pyke (1812–1884) |
Part Music, edited by John Hullah. Secular Pieces. Music in Score for the Voices of Men. Class C. |
London |
1846 |
|
Bouton, Ernest (?–?) |
Esquisse biographique et bibliographique sur Claude Lejeune |
Valenc. (1) |
1847 |
3 Vols. |
Rimbault, Edward Francis (1816 – 1876) |
Collection of ancient Church Music Printed by the Motett Society |
London |
1847 |
|
Rimbault, Edward Francis (1816–1876) |
The Ancient Vocal Music of England. A collection of Specimens referred to in a series of Lectures and adapted to modem use |
London |
ca. 1850 |
2 Vols. |
Braune, Otto (1811–1884?) |
Caecilia, Sammlung von Compositionen alter Italienischer Meister |
Berlin / Potsdam |